In weaving, tānā is warp and bānā is weft - threads crossing to form cloth, rhythm, and meaning.

Tānā Bānā is a collection shaped by memory.
Growing up, wandering through handloom stores with my mother left impressions deeper than I realised... The grids of patola, the blur of ikat, the poetry of repeated forms. These early textures stayed with me, resurfacing now through clay.

This collection travels across traditions of Ikat from Japan to Southeast Asia to India and beyond, translating textile logic into ceramic language. Slip layers stand in for dyed threads; carving mimics feathering; colourwork echoes familiar looms.

Each piece is built slowly — pattern over pattern, layer over layer — the way fabric gathers meaning through warp and weft.

Tānā Bānā is both remembrance and reinvention: a meeting of clay, textile, and memory.